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A Russian general's post-mortem reveals that the conflict was used to test weapons and gain combat experience.
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Leonid Bershidsky is a Bloomberg Opinion columnist covering European politics and business. He was the founding editor of the Russian business daily Vedomosti and founded the opinion website Slon.ru.
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by a leadingMoscow newspaper that seven Russian warplanes were destroyed in a New Year's Eve attack on the Khmeimim air base in Syria. Two Russian servicemen died in the attack, according to the ministry. Clearly, fighting in Syria isn't over for Russia yet, despite President Vladimir Putin's self-congratulatory conversations with Syrian ally Basharal-Assad.

Recently, however,General Valery Gerasimov, head of Russia's General Staff, made public his Camouflage Sneaker Sales Up to 50 Tommy Hilfiger ymZMJ4a
of the Syrian operation, revealingRussia's military priorities in Syria and its persistentconviction that every conflict in which it is involved is a proxy waragainst the U.S. That war won't be over even once Syrian violence subsides.

In the interview with pro-Kremlin daily Komsomolskaya Pravda, Gerasimov provides the basis for Putin's claims that Russia has defeated ISIS. These claims, of course, compete with those of U.S. President Donald Trump, who has said the victory was his, and those of former U.S. Secretary of Defense Ash Carter, who claims in a recent Lauren High Rise Legging in Mauve size S also in LMXS Khongboon Swimwear SsoBGEU1
that Russia was merely a "spoiler" of a winning strategy Carter had devised.

Though neither Russia nor the U.S. can credibly claim a full victory, the currentof Syria leans toward the Russian version: The Assad regime controls most of the country's territory, an amazing achievement after barely holding on to 10 percent of it in the summer of 2015.

Both great military powers used similar strategies, refusing to put boots on the ground in a major way and relying instead on local forces to do the fighting. "'Lasting defeat required enabling local forces to reclaim territory from ISIS and hold it rather than attempting to substitute for them," Carter wrote. "That meant focusing U.S. forces on training, equipping, enabling, and often accompanying them." It worked only partially for the U.S. -- mainly to the extent that it helped Kurdish fighters, who now control Syria's northern and northeastern areas.

Since 1997, the Theatre Program’s international activity has grown from a handful of international observers at the Theatre Lab in Utah to over 14 years of deep peer-to-peer intercultural engagement in six East African countries and, currently, in the Middle East North Africa. Exposure and exchange foster the pursuit of artistic freedom, a celebration of diversity, a commitment to transparency and openness, and an appreciation of differences.

The Theatre Program serves as “the space between” the conception of a work and its eventual production by providing artists time for reflection, experimentation and mentoring within the context of an intimate peer-level artistic community. In 2016, the Theatre Program expanded this notion to describe not only the complex space between idea and production, but also to open up new spaces of aesthetic, cultural and geographical exploration.

The Space Between

IDEA ← ( ) → PRODUCTION

OUR VALUES

OUR GOALS IN THE MIDDLE EAST NORTH AFRICA

OUR CONTEXT

Middle East / North Africa (MENA)

The Theatre Program is in the midst of a multi-year initiative to foster meaningful engagement between US MENA theatre artists through a series of peer-to-peer exposure exchange activities within Arabic-speaking countries, among MENA artistic diaspora in Europe, and in the larger context of our US-focused Labs. Now led by Middle East North Africa Manager Jumana Al-Yasiri, this initiative, welcomes artists inspired by major transformations in the region as well as those interested in building alliances through artistic practice, with a special focus on those who are creating new theatre works in Arabic (classical dialects).

2017 | The Theatre Program offered the MENA Playwrights Residency in Berlin to theatre artists, particularly Syrian, who have been based in Europe for five years or less (2011-2016). The focus of this Residency was text-based projects of newcomers to Europe working in Arabic. Additionally in 2017, projects and artists from MENA were incorporated into all of our Labs Retreats. Other participation around the globe included:
2013-2015

For more information about our work in MENA, please contact Metallic Skater Mini Dress Black AX PARIS 3wk8lFkM
(MENA Manager). We invite you to join our MENA community on Facebook .

East Africa

Sundance Institute is proud to have supported a generation of East African theatre-makers. East African Initiative alumni remain members of the extended Sundance Theatre Program family. During our over 14-year initiative, begun in 2002, the Theatre Program engaged dozens of artists with support in the form of Labs, workshops and visits with the goals of introducing them to their American counterparts, as well as to provide temporary infrastructure in East Africa for artists to sustain their engagements into the future. For more information about past current activities in East Africa, please contact Deborah Asiimwe , Program Associate.

The following programs activities reflect the range of creative programming currently available in East Africa. Sundance Institute is a proud partner in these efforts. For activities all across Africa, we invite you to contact Arterial Network .

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, a unique live event series where participatory theater meets collective conversation. Devised in collaboration with , Creative Tensions explores the opposing forces that inform our daily lives and is a collective conversation expressed in movement, wherein participants reveal where they stand on an issue by virtue of where they stand in the room. Guided by a moderator and provoked by speakers (we call them protagonists) who approach the topic from different perspectives, Creative Tensions is an eye-opening, reflective, and inspiring live experience. Womens Kim Brogues Fornarina TQZZB
for the Creative Tensions website and to find out about future events.

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A foreign corporation that registers for a certificate of authority in another state must pay state filing fees for the qualification filing; these fees are typically more expensive than the cost of filing for a domestic corporation. Also, foreign qualified corporations are subject to taxes and annual report fees from both the state of incorporation and the qualifying state. Thus, the actual advantage of incorporating in a state with very low initial filing fees and low corporate income tax is not as great as it appears if your business must still qualify to do business in its state of operations.

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The definition of "transacting business" depends on the state and the situation. Consult your attorney to determine how the law applies to your situation. In general, though, some factors that a state considers when determining whether a corporation is transacting business in a state include:

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